Paul was more than accommodating, working within our budget, timeline and limitations to still deliver something that rivals some of the visual effects we've seen from features on the festival circuit. Thankful we had him on our team!

Jasmine J. Johnson, director, Inner Demons

Their guidance and collaboration during production and post production elevated the work to a whole new level. We’re excited to work with the team in the future.

Scottie Yang, director, Future48 Campaign

Working with Paul and his team was one of the most collaborative, organized and seamless working relationships I've had.

Nothing was too big or couldn't be done with Paul and he always brought options and creative solutions. We had a neck slice in the movie, and Foxtrot did such a great job that people had to cover their eyes in the theater and it further engaged the viewers in the story.

Paul and his team are incredibly talented and I'm super thankful to be able to work with them.

Jonathan Salemi, director, The Last Deal

Paul and the Foxtrot team were an absolute pleasure to work with, swooping in like superheroes to enhance shots for our indie horror film KillHer that needed fixing or that extra edge. Their superb communication and teamwork skills made the process smooth and efficient. Don't hesitate to hire these magicians for your next film; you won’t regret it!

Robyn August, director, KillHer

Oftentimes they created something incredible from essentially nothing which was nothing short of a minor miracle. They are everything you could want from a VFX studio and more. Incredibly collaborative, highly efficient and truly filmmaker focused. It's also just extremely exciting to receive a new update from them knowing you are about to see something truly special. I am beyond excited to work with them again in the future.

Jacob Heimlich, co-director, Superstar

Paul and his team come to the table with terrific creative ideas that push the quality of the work far beyond any original expectations I had going in. I'll keep coming back to them with every film I make as long as they'll have me.

Paul Osborne, director, Fluorescent Beast

While working on a difficult shot I suggested something and then quickly took it back because I thought the idea was out of reach or too expensive. Paul very quickly told me to stop saying 'no'. That he wasn't here to say 'no'. With anything creative there are always shortcuts that get us to a final product quicker at the expense of quality, and we're used to having to take those shortcuts just to reach our goals. But Foxtrot didn't take any shortcuts working with us. They were true collaborators on the film in every way and greatly elevated our film.

Sean Oliver, director, Forever Home

There is something so satisfying when you get back these shots of graffiti on concrete, or extended walls, or a dirty sign — out of focus, in the background, tracked to the camera movement. It’s a magic filmmaker tool that lets you make the world feel MORE real… the VFX work is among the most invisible but does so much to make the right things pop.

Adam Egypt Mortimer, director, Archenemy

My "Monster" music video was a big undertaking, and I would not have been able to realize my creative vision without their help. It truly takes Foxtrot X-Ray to destroy the world properly. Highly recommend!

Miss Krystle, producer and star, Monster

And it was no small task, let me tell ya - we dreamed really big. With the creative virtuoso and visionary, Paul DeNigris at the helm, we were not only able to achieve the insane 450+ VFX shots that our feature film Max Reload and The Nether Blasters included - we were able to realize a truly studio-quality film that exceeded our wildest imaginations. Paul and the team at Foxtrot never bat an eye at a challenge!

Scott Conditt, co-creator, Max Reload and the Nether Blasters

Paul and his team made swift work of the visuals we needed for our film. Only a month and a half before release! These guys deserved way more time than we had given them, but they stepped up and got it done ahead of our expected schedule.

They can consider themselves hired on any project I have the authority to authorize moving forward.

Miguel Amodio, editor, For the Love of Jessee

Your work on Proof Sheet is seamless and greatly impacts the successful flow of the storytelling. You saved more than a few scenes in this and I'm so glad that I asked [our mutual friend] David Stipes for a recommendation. This was a troubled production but your work gave me the most sense of ease knowing this contribution will make my movie better.

Richard Kilroy, director, Proof Sheet

Brian Skiba, director, Dead Man’s Hand

I came to them with a bunch of insane shots and they knocked them out of the ballpark! Paul and the rest of the Foxtrot X-Ray team were fast, did amazing work, and helped me achieve the impossible on my limited budget.

Tom Putnam, director, Dark Divide